Kokuryo Tsunero first visited the beach at Nakatajima on the Enshunada Sea in 1965. He writes of being deeply moved by the seemingly endless silence he found there, a silence he had long sought from the bottom of his heart. The experience prompted him to begin painting sand dune landscapes. In 1968, having become a teacher at Yokohama National University, he engaged with students groups partaking in the student protests of the time. This painting of young people on a sand dune portrays the feeling of isolation that can come even within a group. The women are battered by a strong sea breeze. They lean against each other but are casting lonely glances in different directions.
(KASHIWAGI Tomoh)
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Kokuryo Tsunero first visited the beach at Nakatajima on the Enshunada Sea in 1965. He writes of being deeply moved by the seemingly endless silence he found there, a silence he had long sought from the bottom of his heart. The experience prompted him to begin painting sand dune landscapes. In 1968, having become a teacher at Yokohama National University, he engaged with students groups partaking in the student protests of the time. This painting of young people on a sand dune portrays the feeling of isolation that can come even within a group. The women are battered by a strong sea breeze. They lean against each other but are casting lonely glances in different directions.
(KASHIWAGI Tomoh)