Fujiwara no Yasumasa Playing His Flute in the Moonlight
藤原保昌月下弄笛図
Artist
TSUKIOKA, Yoshitoshi 月岡 芳年
Birth Year
1839
Death Year
1892
Date
1883
Technique, Material, Format
woodblock print
Dimension
sheet: 35.9 x 72.1 cm
Donor name
Mr. Kato Eiichi
Category
Print by Japanese Artist
Inventory Number
85-PRJ-134
The motif here is the tale of mid-Heian Period (794–1185) nobleman Fujiwara no Yasumasa, and the great thief Hakamadare, as conveyed in the anthologies Konjaku Monogatarishu and Uji Shui Monogatari. On a chilly autumn night, Hakamadare is stalking the flute-playing Yasumasa with the intention of stealing his clothes, and yet he becomes so overcome by fear that he can’t bring himself to pounce. The thief tries to swipe with his sword and rush at his target, and yet Yasumasa does not flinch. Finally, Hakamadare is taken to Yasumasa’s house, where he is given clothing and lectured to about keeping himself safe.
Diagonal movement is emphasized in the painting by the long grass and Yasumasa’s sleeves, both blowing in the wind. The bandit leans in the opposite direction, creating a contrast with Yasumasa’s straight-backed posture. The viewer’s eye darts from Hakamadare’s hand gripping his sword to Yasumasa sideways glance at his assailant. In this way the tale of the strong-nerved nobleman who confounded the famous thief is captured in fine details.
(SAKAMOTO Kyoko)
The motif here is the tale of mid-Heian Period (794–1185) nobleman Fujiwara no Yasumasa, and the great thief Hakamadare, as conveyed in the anthologies Konjaku Monogatarishu and Uji Shui Monogatari. On a chilly autumn night, Hakamadare is stalking the flute-playing Yasumasa with the intention of stealing his clothes, and yet he becomes so overcome by fear that he can’t bring himself to pounce. The thief tries to swipe with his sword and rush at his target, and yet Yasumasa does not flinch. Finally, Hakamadare is taken to Yasumasa’s house, where he is given clothing and lectured to about keeping himself safe.
Diagonal movement is emphasized in the painting by the long grass and Yasumasa’s sleeves, both blowing in the wind. The bandit leans in the opposite direction, creating a contrast with Yasumasa’s straight-backed posture. The viewer’s eye darts from Hakamadare’s hand gripping his sword to Yasumasa sideways glance at his assailant. In this way the tale of the strong-nerved nobleman who confounded the famous thief is captured in fine details.
(SAKAMOTO Kyoko)