Vimalakirti (known as Yuima Koji in Japanese) is said to have lived in India at the same time as Buddha. He is called a Koji (or “householder” in English Buddhist parlance) because in contrast with wandering ascetics, he lived in a house while practicing Buddhism. He was known for having such eloquence and deep understanding of Buddha's teachings that no one else could match him. In this painting, a long-bearded elderly man is depicted holding a scepter used while preaching Buddha's teachings. The round light behind him symbolizes the depth of his mercy and wisdom. Shibusawa Eiichi, a prominent industrialist who once owned this painting, probably saw in Vimalakirti a highly virtuous figure. When Shibusawa met the Indian poet Tagore, he thought the resemblance to Vimalakirti was uncanny.
(HIBINO Miyon)
Vimalakirti (known as Yuima Koji in Japanese) is said to have lived in India at the same time as Buddha. He is called a Koji (or “householder” in English Buddhist parlance) because in contrast with wandering ascetics, he lived in a house while practicing Buddhism. He was known for having such eloquence and deep understanding of Buddha's teachings that no one else could match him. In this painting, a long-bearded elderly man is depicted holding a scepter used while preaching Buddha's teachings. The round light behind him symbolizes the depth of his mercy and wisdom. Shibusawa Eiichi, a prominent industrialist who once owned this painting, probably saw in Vimalakirti a highly virtuous figure. When Shibusawa met the Indian poet Tagore, he thought the resemblance to Vimalakirti was uncanny.
(HIBINO Miyon)